Alana Dee Haynes is a Brooklyn-based artist who turns the bodies of her photographed subjects into illustrated surfaces, transforming blank skin and clothing into undulating patterns and shapes. We featured some of her works a couple years ago, but since then, Haynes has been continuing to create intricate and whimsical pieces. Peruse the flowing imagery and you will see kneecaps split open into eyes, collarbones overlain with lips, and torsos swarmed with circular, overlapping patterns that transform models into scaled, serpentine creatures. In afascinating interview with Juxtapoz, Haynes explains how she uses individual physical characteristics to inspire her illustrations, thereby exploring alternative forms of bodily representation:
“Everyone has a certain way they see the world. Some things jump out at people, while others pass them by. I see faces and patterns everywhere. When I look at people, I connect their beauty marks, and find faces in their knuckle lines. It’s just the way I live. So, naturally, I see these things in photographs too. It is not synesthesia, but it is a similar way of viewing multiple layers in things.” (Source)
Fashion also plays a significant role in Haynes’ work. Just as clothes can be creatively worn to signify individuality, her illustrations transform the models’ entire bodies into expressive surfaces. “When it comes down to it, I believe fashion should bring out emotions and be relatable, as if wearing your own skin and mind,” Haynes explained to Juxtapoz. “And my skin is definitely full of faces and patterns” (Source). Whereas the face is so often read as the sole locus of emotional and cognitive display, Haynes’ brilliant line work illuminates the dynamism and individuality that exists everywhere: in our arms, legs, hands, clothing, and more.